摘要
新时代十余年来中国戏曲研究进展主要集中体现在:其一,戏曲文献整理工作超越此前,呈现新、多、全的特点,尤以民国戏曲文献整理最为突出。其二,戏曲文物盘点工作全面启动,文物用于戏曲形态还原工作的力度加强。其三,表演体系、美学体系、人才培养体系、中国特色戏剧学学科体系等各类体系研究盛行。其四,古代戏曲研究力求突破瓶颈,主要表现为:研究时段“下移”、深入开掘理论批评史、向“冷门绝学”进军、在文化视阈下重新审视中国戏曲等。其五,比起古代戏曲研究总体偏重于事实考辨,现当代戏曲研究具有更强烈的阐释意识。其六,戏曲海外传播研究不仅总量呈现翻倍式增长,而且在理论深度和考察广度上都超越之前。
The main achievements of the Chinese Opera Research Institute in the past ten years in the new era are reflected in the following six aspects:First,the collation of opera literature surpasses the previous,showing the characteristics of"new",""many"and"full",especially the collation of opera literature in the Republic of China is the most prominent.Second,the inventory of opera cultural relics has been fully launched,and the use of cultural relics in the restoration of opera forms has been strengthened.Third,the research of performance system,aesthetic system,talent training system,drama discipline system with Chinese characteristics and other systems are popular.Fourth,the study of ancient operas mainly solves bottlenecks by"moving down"the time period of the research object,digging deep into the history of theoretical criticism,marching to"unpopular learning",and re-examination of Chinese opera under the cultural threshold.Fifth,compared with the study of ancient opera,which focuses on the examination of facts,the study of modern and contemporary opera has a stronger sense of interpretation.Sixth,the total amount of overseas dissemination research on opera has not only doubled,but also the theoretical depth and breadth of research have exceeded the previous one.
作者
黄静枫
HUANG Jing-feng(Department of Dramatic Literature,Shanghai Theatre Academy,Shanghai 200040)
出处
《艺术百家》
北大核心
2023年第4期45-55,共11页
Hundred Schools In Arts
基金
文化和旅游部委托研究项目“戏剧研究十年发展调研”阶段性成果
2022年度国家社科基金艺术学一般项目“中国戏曲史编纂研究(1921-2021)”(项目编号:22BB034)阶段性成果之一。
关键词
新时代
戏曲学
戏曲文物研究
中国戏曲体系
阐释意识
the New Era
Study of Xiqu
Research on Opera Cultural Relics
Chinese Opera System
Interpretive Thinking
