摘要
清朝弹词女作家的弹词作品多以叙事体为主,观其目的,只为寻得一“知音”赏识,然则却因篇幅过于冗长,难以适应书场说唱。这些文学作品并不主面向广大群众,故此种案头化的弹词不适宜搬于书场。《绘真记》曾言:“此书原非唱本,仅可供文士课余。”由是言之,女作家们只望以此作品可觅一“知己”,赏识其作品内涵,而非庸俗之辈。她们的作品虽为正统不屑,却为清乐发展中不可或缺的存在,唱尽人间喜乐,宣泄内心复杂的情感,表现了自我的内心追求。
The"Tanci"works by female authors in the Qing Dynasty primarily adopt a narrative form.These works were created with the aim of finding an appreciative audience,but due to their excessive length,they were not suitable for performance in public venues.These literary works were not intended for a wide audience,and thus,these elaborately composed"Tanci"pieces were unsuitable for stage performances."Huizhen Ji"once stated:"This book was not originally meant for singing,but is only intended for literati to read in their spare time."From this,it can be inferred that female authors merely hoped that their works could be appreciated by like-minded individuals,rather than by the general public.Though their works might not have been regarded as mainstream,they were an indispensable element in the development of Qing music,singing about the joys of life,expressing complex emotions,and revealing their inner pursuits.
作者
杜伟
蒋方舟
DU Wei;JIANGFang-zhou(Department of Arts of West Anhui University,Lu'an,Anhui 237000,China)
出处
《集宁师范学院学报》
2023年第4期92-97,共6页
Journal of Jining Normal University
关键词
弹词
清代
说唱音乐
俚俗音乐
Tanci
Qing Dynasty
narrative music
popular music
