摘要
影像的时间美学逻辑发展可以追溯到柏格森对时间本质的深刻思考。柏格森将时间定义为生命的绵延,而思维和影像正是在时间流中,我们经验和理解世界的机制。在此基础上,德勒兹进一步发展了“时间—影像”的哲学理念,将“运动—影像”概念扩展为“回忆—影像”“梦幻—影像”与“晶体—影像”,从而确定了时间—影像的经典理论。同时,他将麦茨的电影符号学演化为影像符号学,为数字影像向交互—影像的发展提供了理论奠基。因此,可以说德勒兹的时间—影像理论是影像时间美学领域的重要里程碑,对于理解影像的本质与未来发展方向具有重要意义。
The logical development of the aesthetics of time in imagery can be traced back to Bergson's profound contemplation of the essence of time.Bergson defines time as the continuous extension of life,with thought and imagery serving as mechanisms through which we experience and comprehend the world within this temporal continuum.Building upon this foundation,Deleuze developed a philosophical concept of the"time-image",expanding the concept of"movement-image"into"recollection-image","dream-image"and"crystal-image,"thereby establishing the classic theory of time-images.Additionally,he transformed Metz's film semiotics into image semiotics,providing a theoretical foundation for the evolution of digital imagery into interactive imagery.Therefore,it can be asserted that Deleuze's time-image theory is an important milestone in the field of image time aesthetics,which is of great significance for understanding the essence and future development direction of image.
作者
王丽芳
WANG Li-fang(School of Literature,Southwest University,Chongqing 400715,China)
出处
《海南开放大学学报》
2023年第3期73-80,共8页
Journal of Hainan Open University
关键词
时间美学
思维影像机制
时间—影像
temporal aesthetics
mechanism of thought-images
time-image
