摘要
倪瓒的文艺思想既有横向的立体丰富性,也有纵向发展的过程性。在其青年的形成期受到家庭及师辈张雨的影响,体现为进取受压抑的愤懑与向往超脱的闲适两种倾向;在其中年的转折期经历战乱漂泊的遭遇,呈现为慷慨激烈的情感宣泄与交游唱和的轻松放达两个侧面,并逐渐由前者向后者转换;在其晚年的成熟期则是将风骨气节的展现与空灵洒脱的书写相结合,形成倪瓒独特的“逸品上”的格调与境界。此乃倪瓒文艺思想的独特之处,也是元明易代文艺思想的独特之处。
Ni Zan s literary idea has both horizontal richness and a vertical process of developmental process.In the formative years of his youth,he was influenced by his family and his teacher Zhang Yu,manifesting two tendencies,namely,the suppressed indignation of aggressiveness and the idleness of aspiring to transcendence.In the transitional period of middle age,he experienced the turmoil of war and exile,presenting two aspects:gradually from passionate emotional release to casual social interaction.In his later years,he combined the display of integrity and spirit with freewheeling writing,forming Ni Zan s unique style and realm of“transcending one s character”.This is the uniqueness of Ni Zan s literary idea and also that of the transitional period from the Yuan Dynasty to the Ming Dynasty.
作者
左东岭
Zuo Dongling(Center for Chinese Poetry,Capital Normal University,Beijing 100048)
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2023年第5期91-104,共14页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金重大项目“易代之际文学思想研究”(14ZDB073)。
关键词
倪瓒
文艺思想
逸品境界
Ni Zan
literary idea
Yiping realm
