摘要
许地山的创作是现代文学史上的一股灵秀之风,作品中对女性问题的思考多通过宗教信仰达到自身与现实的平衡,女性形象往往以消极的态度面对人生苦难。许地山后期的文艺创作受到社会改革和个人情感的影响,弱化了宗教传奇色彩,增添了现实主义气息。《春桃》就是许地山对女性解放问题的新思考,也透露出他在昂扬与怀疑间徘徊的矛盾心态。
Xu Dishan’s creation is a graceful trend in the history of modern literature.The reflection on women’s issues in his works often achieves a balance between himself and reality through religious beliefs,and female images often face life’s hardships with a negative attitude.Xu Dishan’s later literary and artistic creations were influenced by social reforms and personal emotions,weakening the color of religious legends and adding a touch of realism.“Chun Tao”is Xu Dishan’s new reflection on the issue of women’s liberation,and it also reveals his contradictory mentality of wandering between pride and doubt.
作者
刘念
江飞
LIU Nian;JIANG Fei(Anqing Normal University,Anqing 246011,China)
出处
《哈尔滨学院学报》
2023年第8期89-93,共5页
Journal of Harbin University
