摘要
汉字由象形文字发展而来,字与画均以笔墨纸砚为共同的创作载体,诗与画均注重写意的审美趣味,加之早期“文史哲不分”的文化形态,共同塑造出题画文学这一中国特有的艺术形式。早在商周时期绘画就被用来助人伦、成教化,秦汉及以后统治者更将其强化,政教作用也成为后世绘画理论与题画文学发展过程中恒久的命题之一。时至魏晋六朝,伴随文学自觉和人的自觉,艺术创作方面也收获了自由的空间,题画文学在诗歌与绘画各自进步的基础上得以长足发展,在形式与内容两方面均有新突破,并为即将到来的唐代题画诗之辉煌做了重要的准备。
Chinese characters are developed from hieroglyphics.Both characters and paintings use brush,ink,paper and inkstone as the common creation carrier.Both poetry and painting pay attention to freehand aesthetic taste,by combining with the early cultural form of"no distinction between literature,history and philosophy",they jointly shaped the thematic painting literature,which is a unique art form in China.As early as in the Shang and Zhou Dynasties,painting was used to help people's ethics,education,the rulers of Qin and Han Dynasties and later dynasties strengthened it.The role of politics and religion also became one of the permanent propositions in the development of painting theory and thematic painting literature in later generations.Up to the Wei,Jin and six Dynasties,along with the consciousness of literature and people,the artistic creation also harvested the space of freedom.On the basis of the progress of poetry and painting,thematic painting literature made significant development and achieved new breakthroughs in both form and content,also important preparations for the coming glory of the Tang Dynasty painting poetry were made.
作者
赵婵媛
ZHAO Chanyuan(School of Literature and Communication,Huizhou University,Huizhou 516007,Guangdong,China)
出处
《惠州学院学报》
2023年第4期102-106,共5页
Journal of Huizhou University
基金
惠州学院教授、博士科研启动项目(2022JB031)。
关键词
题画文学
中国绘画
政教
上古期
thematic painting literature
Chinese painting
politics and religion
ancient times
