摘要
民俗活动是仪式音乐赖以生存的土壤,在浙东传统礼俗仪式中,民众世代遵循固有的以锣鼓为主导的用乐方式。庙会社火、祠堂祭祖、迎神赛会、节日灯会、祭海谢洋、舞龙耍狮等民俗活动及音声技艺表演中,锣鼓不可或缺。锣鼓音声与礼俗仪式共生互动,是乡村社会普遍存在的民俗文化景观,也是浙东锣鼓成为民间仪式音乐的根本原因。
Folklore activities are the soil on which ritual music depends.People in Eastern Zhejiang have followed the inherent way of using music dominated by gongs and drums for generations for traditional rituals and customs.Gongs and drums are indispensable in folk activities and performances such as temple fairs,ancestor worship in ancestral halls,god-welcoming festivals,festival lantern shows,sea sacrifices,and dragon and lion dances.The symbiosis and interaction between gongs(drums)and ceremonies is a common folk cultural landscape in rural societies.It is also the fundamental reason why gongs and drums in Eastern Zhejiang have become folk ritual music.
作者
陈辉
Chen Hui(School of Art and Design,Taizhou University,Taizhou 318000,China)
出处
《台州学院学报》
2023年第4期62-67,共6页
Journal of Taizhou University
基金
浙江省哲学社会科学规划课题“浙东锣鼓研究”(19NDJC132YB)。
关键词
浙东民俗
浙东锣鼓
礼俗互动
folk customs in Eastern Zhejiang
gongs and drums in Eastern Zhejiang
interaction between etiquette and custom
