摘要
近年来,随着互联网技术的普及和自媒体的推广应用,群体身份认同建构方式出现了与时俱进的变化,利用影视生产等文化生产实践建构身份认同愈发成为流行方式。少数民族通过民族题材影视生产构建自身身份认同,形成兼容民族认同、国家认同的身份认同体系。作为影视生产“新浪潮”的代表性民族,彝族题材影视生产大体以作为民族文化仪式载体的物、作为日常生活要素的物、作为社会机制呈现的物为中介,通过对物的描摹再现彝族传统文化生活与现代市场经济生活,进而在民族认同维度、国家认同维度展开想象与探索,具有丰富的时代意蕴和借鉴价值。
In recent years,with the popularization of Internet technology and the promotion and application of self-media,the way of group identity construction has changed with the times,and the use of cultural production practices such as film and television production to construct identity has become more and more popular.Ethnic minorities build their own identity through the production of ethnic-themed film and television,forming an identity system compatible with ethnic identity and national identity.As a representative ethnic group of the“new wave”of film and television production,Yi nationality-themed film and television production is generally mediated by objects as the carrier of national cultural rituals,elements of daily life,and objects presented as social mechanisms.Through the depiction of objects,the Yi traditional cultural life and modern market economic life are reproduced,and then imagination and exploration are carried out in the dimensions of ethnic identity and national identity,which has rich implication of the times and reference value.
出处
《青海民族大学学报（社会科学版）》
北大核心
2023年第2期157-164,共8页
Journal of Qinghai Minzu University：Social Sciences
基金
国家社会科学基金青年项目“新时代民族题材影视生产与中华民族共同体形象建构研究”(项目编号:22CKS056)
北京理工大学青年教师学术启动计划“唯物史观视域下新时代影视生产与中华民族共同体形象建构研究”(项目编号:XSQD-202218003)的阶段性研究成果。
关键词
身份认同建构
彝族
影视生产
Construction of Identity
Yi
Film and Television Production
