摘要
立春迎春民俗在中国传承了近两千年,从最初的一种官方祭祀礼仪,发展到唐宋明清成为劝课农桑、防灾祈丰、与民同乐的国家庆典,强化了“以农为本”的地方教化和国家认同。春牛图年画应立春日迎春习俗而生,并逐步发展为农耕时代一种用来预告来年天气、农作物收成等信息的年画,因其多印有来年节气日期,又被称为历画。多元的图像,既是立春民俗传承的集体记忆,也是民俗时空观的传承与生活实践。
The Lichun folk custom of greeting spring has been inherited in China for nearly two thousand years.Starting as an official sacrificial ritual,it has evolved during the Tang,Song,Ming,and Qing dynasties into a national festival aimed at encouraging agricultural production,disaster prevention,and praying for a bountiful harvest,bringing joy and unity among the people,which further strengthened the emphasis on agriculture-based local education and national identity.As a category of woodblock New Year pictures,Chunniu New Year Pictures can be found in different origins.Chunniu New Year Pictures is a kind of New Year pictures used to predict the weather,crop harvest and other information in agricultural era.It is also called calendar picture because it is mostly printed next year’s solar term dates.Diverse images are not only the collective memory of the inheritance of Lichun folk custom,but also the inheritance and life practice of folkloric time-space concept.
作者
孙芳
赵铮
Sun Fang;Zhao Zheng
出处
《农业考古》
北大核心
2023年第4期185-192,共8页
Agricultural Archaeology
基金
山东省社会科学规划研究项目“大运河山东段木版年画研究”(项目编号:21CKGJ01)
国家社会科学基金重大委托项目子课题“中国节日志·立春”(项目编号:JRZ2018002)
2019年度山东省艺术科学重点课题“春牛图类年画的文化艺术研究”(项目编号:WL20190605)。
关键词
春牛图年画
立春民俗
集体记忆
民俗时空观
生活实践
Chunniu New Year Pictures
Lichun folk custom(folk custom for the Beginning of Spring)
collective memory
folkloric time-space concept
life practice
