摘要
1980年代中期以来至新世纪初,先锋小说历史叙事以拼贴或改写方式整合多种文本,呈现多文本叠合的文本间性特征。先锋小说历史叙事的文本间性经历一个不断发展演变的历程,从最初仅是叙述形式激进探索的结果,到后来发展成为创作审美的自觉追求,并于近年来呈现新变趋向:拼贴式文本间性呈现为拼贴与改写、回望相结合;改写式文本间性则是残缺或循环的关键性情节链渐趋闭合状态,或者穿插历史、文化及人性等书写,使作品的情感基调、文学观念和历史观念等呈现多元综合趋向。这是当代小说激进探索与创新的产物,折射当代文化语境、文学思潮及主体性理论等的发展演变,体现当代小说创作力图反叛与消解宏大历史叙事,探索文学审美的多种可能性与复杂性。
Since the mid-1980s to the early 21 st century,historical narratives in avant-garde fiction have integrated multiple texts through collage or rewriting,thus exhibiting the characteristics of intertextuality.This intertextuality has undergone a continuous development,evolving from an exploration of narrative forms to a conscious pursuit of creative aesthetics.In recent years,it has shown new tendencies:collage-based intertextuality combines collage,rewriting and retrospective elements;rewriting-based intertextuality features gradually closed key narrative chains or intersperses writings on history,culture,and human nature,reflecting a diverse and integrated approach to the emotional tone,literary concepts,and historical perspectives of the works.These trends are products of the radical exploration and innovation in contemporary fiction,reflecting the development and evolution of contemporary cultural context,literary trends,and theories of subjectivity.They embody the rebellious and deconstructive tendencies of contemporary fiction,and the exploration for the possibilities and complexities of literary aesthetics.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
2023年第4期118-124,156,共8页
Journal of Southeast University(Philosophy and Social Science)
基金
江苏省教育厅重大项目“七十年来历史题材小说的当代意识及其审美表达”(2020SJZDA021)
国家社科基金后期资助项目“经典化视野中的当代历史题材小说创作研究”(20FZWB040)成果之一
