摘要
皮影戏是由人操纵皮革制的人物、景物道具,借光显影以演绎故事的艺术形式,广泛存在于亚洲地区。中国和印尼皮影戏是其中最具代表性的两种类型。受中国和印尼民间独特的世界观和宇宙观影响,两国对皮影戏本源的诠释都带有神秘化倾向。在中国、印尼民间信仰体系中,世界被分为“有形”的可以感知的物质世界,与“无形”的不可捉摸的神秘世界,两个“世界”始终以特定的法则相联系。这种感知和理解世界的方式与思维惯性为皮影戏的发生提供了内在的文化逻辑,而依托民间信仰产生的节庆仪式则为皮影戏的生存提供了空间,仪式的具体性质则内在地规定和影响了皮影戏的表演内容。
Shadow puppets is an art form in which leather-made characters and props are manipulated by performers,using the shadows of leather figures or scene props with the help of light to narrate stories.It is widely present in Asia,with China and Indonesia having the most representative types of shadow puppets.Infuenced by unique worldviews and cosmologies of Chinese and Indonesian folk beliefs,the interpretation of the origins of shadow puppets tends to be mystified.In the folk belief systems of China and Indonesia,the world is divided into a“tangibl”perceptible material world and an“intangible”mysterious world that cannot be touched or perceived,and the two“worlds”are always connected by specific laws.This way of perceiving and understanding the world,and the inherent cultural and cognitive habits,provide the internal cultural logic for the emergence of shadow puppets.The festival rituals,which are based on folk beliefs,provide space for the survival of shadow puppets,and the specific nature of these rituals internally determines and influences the performance content of shadow puppets.
出处
《艺术与民俗》
2023年第2期83-89,共7页
Journal of Arts and Folklore
关键词
皮影戏
文化背景
民间信仰
节庆仪式
Shadow Puppets
Cultural Background
Folk Belief
Festival Ritual
