摘要
在徽州地区印刷或抄写的民间谱牒中存有大量文学作品,历来较少为学界关注。本文在建设“明版徽州谱牒艺文数据库”的基础上,从多个方面探讨了其中所见明人艺文的文学价值:第一,明版谱牒存录的明人唱和诗文,或在内容上属于集外佚作,或在出版次序上属于“前别集”文本,完整呈现出各级文学活动的原始面貌,反映出社会文学创作的“混层化”特征;第二,一些文坛名士与徽人之间的论文尺牍借助谱牒得以完整保存其往来语境,为今人观察文学复古浪潮中的“央地互动”与徽人“境内互动”提供了崭新视角;第三,在以应酬颂扬为主旋律的海量谱牒序记中,存在不少不落窠臼之作,或披露生平公案,或反映作家心态,或隐射朝政时局,多有堪资考证、补本集之失的名家佚作;第四,在谱牒编纂过程中,试图通过艺文构建家族传统的“家集化”、借机印刷自作的“别集化”,以及“八景”文学叙事的宗族权力化等编纂倾向,都是具有时代特征的地方文学现象,对于明代出版印刷史研究也具有一定价值。
The literary works preserved in Huizhou genealogy records have traditionally received little scholarly attention.On the basis of the construction of the Database of the Ming-Dynasty Literary Works in Huizhou Genealogy Records,this paper explores the value of the literary works by the Ming people in the following aspects.Firstly,the responsive poetry found in the genealogy records belongs to either lost writings outside the author's collected works or the"prior to collected works"in terms of publication order,reflecting the original appearance of literary activities at all social layers and the"mixed-layer"features of social literary creation.Secondly,via genealogy records,some letters discussing contemporary literary trends between literary giants and Huizhou literati are preserved in their complete exchange context,providing a new perspective for the present generation to observe the"interaction between the center and the periphery"and the"interaction within"Huizhou literati in the wave of literary revival.Thirdly,among the vast number of genealogical prefaces for entertainment and praise-singing purpose,there are still a number of excellent works,either revealing the biographical facts,reflecting the writer's state of mind,or alluding to the dynastic situation,and many are newly discovered lost works by famous writers.Fourthly,in the process of genealogical compilation,there emerged"family-literatization"(rebuilding family literary traditions),"anthologization"(printing the genealogist's own works by taking the opportunity)and"infiltration of clan power"(competing for family lineage orthodoxy through the literary narratives of"Eight Scenes"),all local literary phenomena with characteristics of the times,and of some value to the study of the publishing and printing history of the Ming dynasty.
作者
唐宸
张萍
Chen TANG;Ping ZHANG(College of Literature,Anhui University)
基金
国家社科基金重大项目“基于大数据技术的古代文学经典文本分析与研究”(项目编号:18ZDA238)
国家社科基金重大项目“徽人别集整理、研究与数据库建设”(项目编号:20&ZD274)阶段性成果。
关键词
谱牒
出版印刷
徽州
明代文学
数据库
genealogy records
publishing and printing
Huizhou
the Ming dynasty literature
Database
