摘要
唐以前,虽有饮茶之风,茶尚未独立成饮,器具也往往一器多用,茶器、酒器、食器区分不太严格。随饮茶之风的兴盛,茶器渐而专用,经唐代繁盛发展,至北宋已达“盛造其极”的状况。据审安老人所撰茶具图可知,唐时制器,陶瓷、金属、琉璃、竹木、漆器等材料共用。随汉唐陶瓷技术飞跃的发展,加之材料优越性,陶瓷逐渐成为制作茶器的主要材质。更有众多文人墨客、僧道之士审美意趣的融入,使承载着诗书画印传统艺术之美的陶瓷茶具,散发着浓厚的潇洒清逸的文人气息。几案一具、闲远之思,茶具创作有着窥探器道哲学的极佳视角。
It is necessary to learn from the ancient waresand innovate on the basis of the ancient wares.After all,in the different times,drinking environment has also changed.Creators need to establish a connection with the times and themselves,internalize and according lypursue new life.
出处
《上海工艺美术》
2023年第2期35-37,共3页
Shanghai Arts & Crafts
