摘要
1936年在上海举办的苏联版画展览会是鲁迅与邵洵美都曾参与的一次中苏文化交流活动。关于这次展览会,鲁、邵二人都有相关文字留下,分别是鲁迅的《记苏联版画展览会》和邵洵美的《木版画》。对这两个文本进行深入分析和比较,一方面可以厘清这两个不同立场的文人在艺术审美层面的关注点和分歧点,另一方面可以比较二人在苏联版画展览会这一交集点上的文化态度,并由此窥见20世纪30年代中国文坛生态的基本样貌。
In 1936,the Soviet Printmaking Exhibition held in Shanghai was a Sino-Soviet cultural exchange activity attended by Lu Xun and Shao Xunmei.Lu and Shao left relevant remarks on this exhibition,namely Lu Xun's Recording the Soviet Printmaking Exhibition and Shao Xunmei's Woodcut prints.Through the in-depth analysis and comparison of their respective texts,it becomes clear that the two scholars were animated by different concerns and held different aesthetic views.Furthermore,it appears that their cultural attitudes met at the crossroads of the Soviet Printmaking Exhibition,thus allowing us to catch a glimpse of the overall situation of Chinese literary circles in the 1930s.
出处
《艺术探索》
CSSCI
2023年第3期49-55,共7页
Arts Exploration
基金
江苏省高校哲学社会科学研究项目“域外版画传播与1930年代左翼文学生态”(2019SJA0973)
国家社科基金后期资助项目“现代中国文艺的一种阐释:文学与图影的流转”(19FZWB078)。
关键词
鲁迅
邵洵美
记苏联版画展览会
木版画
Lu Xun
Shao Xunmei
Recording the Soviet Printmaking Exhibition
Woodcut prints
