摘要
本文以五代、宋初时期曹氏归义军时期,敦煌壁画中人物佩戴的发钗作为研究对象,对发钗的源流、形制、类型进行分析研究。并结合同地区不同时代发钗的发展变化与当地的经济水平、审美需求和民族文化交流来探讨其社会意义。
This paper took the hairpins worn by characters in Dunhuang murals under the reign of the Cao family during the Five Dynasties and early Song Dynasties as the research object to analyze and study the origin,form,and type of hairpins.By combining the development and changes of hairpins in different eras of the contract area with the local economic level,aesthetic needs,and cultural exchanges between ethnic groups,the paper intends to explore their social significance.
作者
刘馨阳
王胜泽
LIU Xin-Yang;WANG Sheng-Ze
出处
《民族艺林》
2023年第2期97-106,共10页
Journal of Ethnic Art
关键词
曹氏归义军
供养人像
发钗
Cao family's administration over the Return-to-Allegiance Army regime
donors'portrait
hairpin
