摘要
“催妆”是我国传统婚礼仪式中一个环节,目的是催促新娘尽快完妆,以免耽误拜堂吉时。它盛行于唐代且流传至今,在不断发展中,音乐成为催妆的重要组成部分。文章将催妆环节中的歌曲与器乐曲统称为“催妆乐”,从历时与共时两个层面,对其历史演变与现存状况进行梳理,并对其音乐形态进行分析。同时从两性视域分别解读催妆的文化内涵,通过催妆中的戏谑关系来探究其社会功能。
Cuizhuang Yue(makeup urge music)is a part of the Chinese traditional wedding ceremony which aims to urge the bride to finish the makeup as soon as possible,so as not to delay the ceremony.It prevailed in the Tang Dynasty and has been handed down to the present where music played an important role.This article argues that both the songs and instrumental music are part of the Cuizhuang music.From the diachronie and simultaneous aspects,this article combed out its historical evolution and existing conditions and analyzed its musical form.Meantime,it interprets the cultural connotation and social function of Cuizhuang music.
出处
《音乐文化研究》
2023年第2期139-148,共10页
Music Culture Studies
关键词
催妆乐
婚俗
女性主义
他者
戏谑关系
Cuizhuang Yue(makeup urge music)
marriage customs
feminism
the other
joking relationship
