摘要
电影《相爱相亲》主要围绕给外公迁坟事件展开,该电影以镜像形式对现实社会进行艺术化创作与巧思,延续了张艾嘉以往关注及表现女性的电影风格,将镜头对准女性爱情、婚姻、家庭观念冲突,塑造了老、中、青三代女性形象,展现了中国女性对于社会镜像压制的反抗与斗争。该电影采用现实镜像化反凝视分析方法构建了多维度中国女性形象和女性意识,折射出当代中国女性主体意识与形象的嬗变。深入挖掘影片内涵,探讨我国电影中女性形象变迁所表现出的女性意识,分析影片中女性形象和女性意识的矛盾之处,不仅可以真实反映当代社会女性形象及意识,推动电影女性角色构造的精准表达,还可以引发观众及社会深思,推动女性主义与大众文化的和谐共存。
The film Love and Date is mainly about the event of moving my grandfather's grave.The film carries out artistic creation and ingenuity in the form of a mirror image of the real society,continues the film style of Sylvia Chang who used to pay attention to and express women,focuses on the conflict of women's love,marriage and family ideas,shapes the images of women of the old,middle and young generations,and shows the resistance and struggle of Chinese women against the suppression of social mirror images.The film adopts the method of realistic mirror reflection and anti gaze analysis to construct multidimensional Chinese female images and female consciousness,reflecting the evolution of contemporary Chinese female subjectivity and image.Deeply exploring the connotation of the film,exploring the female consciousness manifested by the changes in female images in Chinese films,and analyzing the contradictions between female images and female consciousness in the film can not only truly reflect the contemporary female image and consciousness in society,but also promote the precise expression of the female character structure in the film;It can also trigger deep reflection among the audience and society,promoting the harmonious coexistence of feminism and popular culture.
作者
于松洁
YU Song-jie(Anhui Art University,Hefei 230012,China)
出处
《赤峰学院学报（哲学社会科学版）》
2023年第6期63-67,共5页
Journal of Chifeng University：Philosophy and Social Science Chinese Edition
基金
2021年安徽省教育厅人文社科重点项目“文化自信视阚下中美文学比较研究”(SK2021A0914)。
关键词
社会镜像
反凝视
相爱相亲
女性形象
女性意识
矛盾
Social Mirror Image
Backgaze
Love
Female Image
Female Consciousness
Contradiction
