摘要
清代唐宋诗之争是关乎诗歌本质、诗歌与作家、诗歌功用、诗歌流变、诗歌批评等一系列主要理论问题的讨论,这些主要理论问题首先集中体现于杜诗、严羽《沧浪诗话》、宋诗和竟陵派。清代唐宋诗之争绝不是简单的师法策略问题,而是对诗言志、性情之正、辨体、温柔敦厚、正与变、学问、赋比兴、穷而后工等传统诗学概念的价值定位,这些概念又可以以文学史观和诗人主体为出发点建构逻辑关系。诗学核心概念温柔敦厚所面临的困境及阐释途径,便极具代表性。
It was a discussion about main theoretical issues,including poetic essence,poetry and writers,poetic function,the changes of poetry and poetry criticism,instead of specific poetic methods.The dispute focused on Du Fu’s poems,notes on poets and poetry Cang Lang by Yan Yu,Song poetry and the Jingling school.Therefore,the dispute between Tang and Song poetry in the Qing Dynasty is by no means a simple question of mentoring strategy,but the value orientation of the concept of traditional poetics,just like poem expressing ideal,orthodoxy of temperament,classical poetic formal distinctions,the blandness,orthodoxy or heterodoxy,imitation or change,learning,exposition,comparison and affective image,and so on.These concepts can be constructed logically from the perspective of literary history and the poet subject as the starting point.It is the typical case that the dilemma and settlement of orthodoxy of temperament.
作者
唐芸芸
Tang Yunyun(School of Chinese Literature,Chongqing Normal University,Chongqing 401331,China)
出处
《重庆师范大学学报（社会科学版）》
2023年第3期97-104,共8页
Journal of Chongqing Normal University(Edition of Social Sciences)
基金
2017年度国家社会科学基金项目“清代唐宋诗之争的主要理论问题与逻辑进程”(17XZW019)。
关键词
清代唐宋诗之争
文学史观
诗人主体
温柔敦厚
the dispute on Tang and Song poetry in the Qing dynasty
the perspective of literary history
the poet subject
orthodoxy of temperament
