摘要
视觉与空间是现代艺术中密不可分的两个主体。作为20世纪艺术观念研究的先锋性人物,康拉德·费德勒(Konrad Fiedler)是艺术研究发展中起到中介性、过渡性与整合性作用的重要人物,为艺术研究的学科性发展提供了全新概念与发展方向。文章以审美趣味与艺术认知的立场、美学与艺术科学概念的区分、视觉本质的思考,三方面展开对康拉德·费德勒艺术理论与现实意义的论述,通过对约翰·伯格(Johann Berg)和彼得·卒姆托(Peter Zumthor)的作品分析,分别以评论家理论视角和建筑师实践视角,解读视觉观看理论对现今艺术评论和艺术设计创造过程的影响以及空间层面的意识表现。
Vision and space are two inseparable subjects in modern art.As a pioneer in the study of art concepts in the 20th century,Konrad Fiedler is an important figure who plays an intermediary,transitional and integrated role in the development of art research,providing a new concept and development direction for the disciplinary development of art research.From the standpoint of aesthetic interest and artistic cognition,the distinction between aesthetic and artistic scientific concepts,and the consideration of visual essence,this paper discusses the art theory and practical significance of Conrad Fiedler.Through the analysis of the works of Johann Berg and Peter Zumthor,it discusses the theoretical perspective of critics and the practical perspective of architects.To interpret the influence of visual viewing theory on the process of art criticism and art design creation and the expression of consciousness at the spatial level.
出处
《建筑与文化》
2023年第7期227-228,共2页
Architecture & Culture
