摘要
贾平凹的《高老庄》通过一个村庄展现了边缘群体的集体记忆,作品中的碑文、砖像记载了高老庄的历史,构成了历史记忆。子路父亲的三周忌日、修白塔等活动仪式展现了乡村的公共生活与集体观念,强化了现实中的集体记忆。《高老庄》中的记载具有真实性,因此能够通过集体记忆了解陕西的起源与过去,丰富历史。从记忆折射出的种族起源、地域特点与族群特征,是民众民族国家认同的体现,从中可见个人与集体、社会及民族的关联。
Jia Pingwa's Gao Lao Zhuang shows the collective memory of the marginal groups through a village.The inscriptions and brick statues in the work record the history of Gao Lao Zhuang and constitute the historical memory;Zilu's father's three week memorial day,white pagoda building and other activity ceremonies show the public life and collective concept in the countryside,and strengthen the collective memory in reality.The records in Gao lao Zhuang are authentic,so we can understand the origin and past of Shaanxi through collective memory,and enrich the history;the ethnic origin,regional characteristics and ethnic characteristics reflected from the memory are the embodiment of people's national identity,from which we can see the relationship between individual and collective,society and nation.
作者
李玉
LI Yu(College of Arts,Southwest University,Beibei 400715,Chongqing)
出处
《商洛学院学报》
2023年第3期28-33,42,共7页
Journal of Shangluo University
关键词
集体记忆
贾平凹
《高老庄》
collective memory
Jia Pingwa
Gao Loo Zhuang
