摘要
北魏是中华历史发展中的重要转折时期,随葬的乐舞陶俑记载了当时的服饰艺术形式与社会风尚。针对北魏典型墓葬出土的乐舞俑造像进行梳理与分析,认为北魏早期的乐舞服饰具有较强的鲜卑民族特色和西域风格,流行胡风。随着南北方文化的相互传播与交融及统治阶级的干预,汉族文化成为风尚主流,乐舞服饰在款式上出现了融合并迭代出新的式样,其中也不乏佛教盛行带来的装饰形式,整体呈现出多元文化互鉴融通之后的美美与共,显现出中华民族服饰文化的多元一体。
The Northern Wei Dynasty was an important turning point in the development of Chinese history.The funerary terracotta figures of music and dance recorded the costume art form and social fashion at that time.Based on the analysis of the terracotta figures of music and dance unearthed from the typical tombs of the Northern Wei Dynasty,it is concluded that the music and dance costumes in the early period of the Northern Wei Dynasty have strong ethnic characteristics of Xianbei and western style,forming the popularity of Hu Feng.As the north and the south cultures communicate and blend with each other,and the intervention of the ruling class,the Han nationality culture become the fashion mainstream,dance costumes appeared on design integration and iteration of new styles,which are predominantly Buddhist decoration form.All the fashion as a whole presents the multicultural feature and mutual fusion afterward,showing the clothing culture of diversity in unity of the Chinese nation.
作者
孔令奇
仓敏钰
赵杨帆
KONG Lingqi;CANG Minyu;ZHAO Yangfan(College of Fashion Technology,Zhongyuan University of Technology,Zhengzhou 450007,China)
出处
《河南工程学院学报（自然科学版）》
2023年第2期11-16,共6页
Journal of Henan University of Engineering：Natural Science Edition
基金
河南省哲学社会科学规划项目(2019BYS030)
河南兴文化工程文化研究专项(2022XH467)。
关键词
北魏
乐舞俑
服饰
社会风尚
互鉴融通
Northern Wei Dynasty
dancing figurines
clothing
social fashion
mutual accommodation
