摘要
“月”以其自身的特性,逐渐成为禅师与文人常用的意象之一,之后“月”的涵义慢慢泛化并被赋予了审美意蕴和精神追求,甚至是人格寄托。清代诗僧律然有《息影斋诗钞》存世,月的出现频率之高引发人们关于自然意象与佛性禅意之间内在关系的思考。在诗作中,他描绘了“月”在具体情境中的形变,包括月的大小、位置的变化,月光下多样的氛围感,时空下不同季节的月,月与其他意象的组合。“月”不仅是他偏爱的自然事物,更是他表达情感的载体,在意象书写中赋予了“月”意象以深奥的佛教教义。
With its own characteristics,“moon”has gradually become one of the commonly used images of Zen masters and literati.Later,the meaning of“moon”has been gradually generalized and given aesthetic meaning,spiritual pursuit,and even personality sustenance.In Qing Dynasty,there was a poem Xiying Zhai Poetry Note by the poet-monk Lv Ran.The high frequency of the moon in it has triggered people's thinking about the internal relationship between natural image and Buddhist Zen.In his poems,he describes the transformation of the“moon”in specific situations,including the change of the size and position of the moon,the variety of atmosphere under the moonlight,the moon in different seasons under time and space,and the combination of the moon and other images.“Moon”is not only his favorite natural thing,but also the carrier of his emotion.In the image writing,the image of“moon”is endowed with profound Buddhist doctrine.
作者
王雨晴
WANG Yuqing(College of Arts,Anhui University,Hefei,Anhui 230000,China)
出处
《山东商业职业技术学院学报》
2023年第3期75-78,共4页
Journal of Shandong Institute of Commerce and Technology
基金
安徽大学大自然文学协同创新中心2021年课题:“清代诗僧律然《息影斋诗钞》中‘月’的意象书写”(ADZWY21-05)。
关键词
诗僧
律然
《息影斋诗钞》
月的意象
poet monk
Lv Ran
Xiyingzhai Poetry Note
image of the moon
