摘要
五四新文化运动开启了中国女性解放运动的篇章,娜拉出走成为一种时代风气,也形成了新文学中探讨新女性命运的娜拉主题。胡适书写娜拉主题的重心是出走,到了鲁迅笔下就变成了反出走。曹禺、张爱玲笔下的陈白露、曼璐是被迫出走的娜拉,同样纠缠在父权、夫权和自身的束缚下。曹禺基于文学改良社会和人生的宏愿,《日出》就侧重在社会外力对陈白露的压迫。《半生缘》中新女性自愿走进红舞厅,是张爱玲对娜拉主题做出的一种反性别书写的性别书写、反女性解放的女性解放。
The May 4th New Culture Movement opened a chapter of the Chinese women’s liberation movement.The departure of Nora became a trend of the times,and also formed the theme of Nora in the new literature to explore the fate of new women.The focus of Hu Shi’s writing on the theme of Nala is running away,which becomes anti-running under Lu Xun’s writing.Chen Bailu and Man Lu in the works of Cao Yu and Zhang Ailing are Nora who is forced to leave.They are also entangled in the shackles of patriarchy,authority of husband and herself.Cao Yu,based on the great wish of literature to improve society and life,his Sunrise focuses on the oppression of Chen Bailu by external social forces.In Half a Lifelong Romance,the new women voluntarily enter the dance hall,which is a kind of anti-gender writing and anti-female liberation made by Zhang Ailing on the theme of Nora.
作者
张学超
ZHANG Xue-chao(School of Liberal Arts,Henan university,KaiFeng 475001,China)
出处
《唐山师范学院学报》
2023年第2期44-50,共7页
Journal of Tangshan Normal University
基金
国家社科基金一般项目(16BZW145)。
关键词
娜拉主题
启蒙文学观念
性别书写
Nora theme
enlightenment literary concept
gender writing
