摘要
“和”是中国传统音乐一个重要的美学理念。在南音这一古老的传统音乐形式中,“和”的理念体现得十分突出。以发生学和遗传学原理为依据,通过对泉州东石南音社团的走访调查,认为“和”之理念在音乐行为中的实现和传承,是由三要素有机协调而实现的:乐为本体、礼为规制、社为践行。对南音“和”之美学理念的探赜,不仅为中国传统音乐文化遗产的解读拓宽新思路,亦可为其保护和传承提供参考和借鉴。
“Harmony”is an important aesthetic concept of traditional Chinese music.In Nanyin,an ancient traditional mu‐sic form,the concept of“harmony”is very prominent.Based on the principles of genetics and genetics and through a survey of the Quanzhou Dongshi Nanyin Society,the author holds that the realization and inheritance of the concept of“harmony”in musical behavior is achieved through the organic coordination of three elements:music as the noumenon,etiquette as regulation,and society as practice.The exploration of the aesthetic concept of“harmony”in Nanyin not only broadens new ideas for the interpre‐tation of traditional Chinese music cultural heritage,but also provides reference for its protection and inheritance.
出处
《闽南师范大学学报（哲学社会科学版）》
2023年第1期70-76,共7页
Journal of Minnan Normal University:Philosophy and Social Sciences
关键词
南音
“和”
音乐美学
乐社实践
Nanyin
“harmony”
music aesthetics
practice of music society
