摘要
刘庆邦的长篇小说《女工绘》是一部关于女性矿工群体的记忆文本,其创作源于作者不能忘却的煤矿生活记忆和对女性矿工群体的爱。小说在对煤矿日常生活的再现中,表征出作者对煤矿工业生活的记忆和爱恋;在展现华春堂形象的过程中,再现了青春记忆中的爱情之美;同时在日常生活叙事中,揭示被遮蔽的创伤记忆,表现出对青春之美的惋惜和对命运的感叹。小说蕴含多重爱的记忆和深层的历史意识,在政治世界与日常生活世界之间的张力空间中,彰显生命与存在的真实。
Liu Qingbang s novel The Painting of Female Workers is a memory text about female miners,which originates from the author's unforgettable memory of the coal-mining life and the love for female miners.The novel represents the author's memory and love of the industrialized life in the reproduction of everyday mining life,reproduces the beauty of love in the memory of youth via the displayed image of Hua Chuntang.Meanwhile,its narrative of everyday life discloses the hidden traumatic memory,showing regret for the beauty of youth and lamentation for the inevitable destiny.The novel contains memories of multiple-layer love and in-depth historical consciousness,highlighting the reality of life and existence in the tension between the political and the mundane world.
作者
史修永
SHI Xiuyong(School of Humanities and Arts,China University of Mining and Technology,Xuzhou 221116,Jiangsu,China)
出处
《中国石油大学学报（社会科学版）》
2023年第3期33-39,共7页
Journal of China University of Petroleum (Edition of Social Sciences)
基金
江苏省社会科学基金项目一般项目(19ZWB004)
中国矿业大学重大项目培育专项(JRW220011)。
关键词
《女工绘》
爱的艺术
刘庆邦
煤矿生活
The Painting of Female Workers
the art of love
Liu Qingbang
the coal-mining life
