摘要
东魏北齐时期,沟通邺城与晋阳的滏口道既承担着交通往来的重要作用,又与佛教文化艺术传播密切相关。滏口道上分布着许多东魏北齐时期重要的石窟寺和摩崖造像。本文所述的古壶关道是滏口道南线上的交通咽喉,重要的石窟寺有北齐开凿的黎城白岩寺石窟和下湾响堂寺石窟。其中白岩寺石窟原有保存较好的九尊造像,不幸于1999年惨遭盗割,无一幸存。本文根据被盗前的影像资料进行了复原研究,并就造像题材作了考释。同时,论述了白岩寺石窟在洞窟形制、造像题材与造像样式方面同都城地区石窟的密切关系。
The Fukou Pass connecting Yecheng and Jinyang played an equally important role in the spread of Buddhist culture and art in the Eastern-Wei and Northern-Qi times,with numbers of great grottoes temples and rock-cliff sculptures distributed along.The Huguan Pass discussed here was positioned as a traffic throat on the route extending southward from Fukou Pass,along which were standing the grottoes temples such as Baiyan Temple in Licheng County and the Xiangtang Temple in Xiawan of the Northen-Qi dynasty.There used to be nine statues well-preserved in Baiyan Temple Grottoes,but they were stolen in 1999,none survived.So,this thesis focuses on the original status of the sculptures based on their full-body images before they were ruined interpreting the figures thematically and probing into the way that Baiyan Grottoes Temple was related with those of the capital city in the structure of cave,the theme and style of Buddha images.
出处
《故宫博物院院刊》
CSSCI
北大核心
2023年第5期60-71,127,128,共14页
Palace Museum Journal
关键词
古壶关道
北齐时代
白岩寺石窟
造像复原
Huguan Pass
Northern-Qin dynasty
Baiyan Grottoes Temple
restoration of Buddhist sculpture
