摘要
从艺术史到哲学,从科学到美学等多个知识领域里,“观念存在”与“感知存在”二者的分离与矛盾一直是被广泛研究的议题。然而,在人文主义情怀的驱使下,现代人认为真正的“真实”--知识结构学所定义的“真”,正禁于我们的日常生活背后。这样一来,实在的日常生活反而成为了真正的“真实”的“反映”或“复制”。这种充满了柏拉图式论调的“真”已经超出了有形的定义范畴。
The separation of the ideal existence and the existence apprehensible to the senses has been an issue cnalyzed widely in every aspect of knowledge.from history of art,to philosophy,from science to aesthetics.Therefore.the search of truth and of quthenticity has become an all-encompassing core issue also in the Chinese context.The works included in"Authentic";"An exhibition of young Chinese cartists"give a portrait of how this group of cartists relate to reality,cand of the relationship they establish with it.
出处
《当代美术家》
2008年第1期16-17,共2页
Contemporary Artists
