摘要
1927—1930年间,革命文学往往凸显的是“我/个人”的个体感性与体验,但在革命理想和集体要求的规约之下,即使是“我/个人”的“革命故事”或情绪宣泄也隐藏着阶级政治和民族认同的考量与叙述。尽管20世纪20年代的革命文学不够成熟,并经历了无数的嘲讽、打压和敌视,但还是依托其异在化的动能与现代传媒的助力将溅血的声音和超越当时日常经验的文字留给了生命、正义、历史和未来。革命文学的先锋性表现在:“小我”与“大我”的弥合和主动汇入集体革命的行动描写;革命者的话语对以往语言结构和生活经验的倾覆;明晰的鼓动阶级斗争的意指;越来越多的工人、农民、士兵进入左翼作家的观照视域。
From 1927 to 1930,revolutionary literature often highlighted the individual sensibility and experience of“I/individuals”,but under the rules of revolutionary ideals and collective demands,even the revolutionary stories or emotional catharsis of the“I/individual”also concealed the consideration and narration of class politics and national identity.Although the revolutionary literature of the 1920s was not mature enough and experienced numerous derision,suppression and hostility,it still left to life,justice,history and future the blood-spattered voice and characters beyond the daily experience of that time by relying on its alien kinetic energy and the aid of modern media.The vanguard features of revolutionary literature are shown as follows:the bridging of the“individual ego”with the“collective ego”,as well as the active integration of the action description of collective revolution;the overturning of the former language structures and life experiences by the discourse of revolutionaries;the clear implication of agitation for class struggle;and the increasing number of workers,farmers,and soldiers coming into the view of left-wing writers.
作者
陈红旗
CHEN Hong-qi(School of Humanities,Hainan University,Haikou 570228,China)
出处
《海南师范大学学报（社会科学版）》
2023年第2期1-9,共9页
Journal of Hainan Normal University(Social Sciences)
基金
国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD259)
教育部人文社会科学研究一般项目“中国左翼文学的想象与叙述(1927—1949)”(17YJA751006)。
关键词
革命文学
个体感性
集体诉求
异在化
先锋性
revolutionary literature
individual sensibility
collective appeal
alienation
vanguard features
