摘要
以造史之名,历史的生产线背后,是不同权势者瘫痪真实的梦工厂。当代"艺术史"这个生产机制,已变成需要展览和市场的记录.才能有公共性的认可证书的时候。进入艺术史,因为变成教育或品味的材料、就有更普及化的机会,因此,这条路是艺术家和其作品的最理想归处,就是生前来不及确认,也愿意幻想百年后能卷土重现。对“造史”的渴求,实是文化生态里的常态,但若变成“不可说”或“圈内禁忌”,那就有非常态之处,更可能是愈来愈真实。
During the production of contemporary"Art History"works mnust be recorded by exhibitions and market before recognized by the public.Entering art history means being populariced.hecoming malerials for future educa1ion and uypreciation.And thus its the most ideal position artists and their works wish 10 eccup1.It's u common phenomenon to "create history"in cultural process.bul to forbid discussion is quite unusal.
出处
《当代美术家》
2008年第3期8-10,共3页
Contemporary Artists
