摘要
余华最新长篇小说《文城》的出版创造了销量奇观且引发评论界的关注,但销售的火爆与部分批评家吹捧式的评价并不能掩盖余华在叙事上的限度与写作能力衰退的事实。《文城》故事讲述的无计划、无安排与无节制暴露出作者文本组织力的薄弱;缺少人物内心世界的呈现使人物成为性格缺失且毫无生命力的善恶符号;对中国近现代历史叙述的缺位与当下社会现实观照的缺乏更是追问文本内核时不能回避的价值硬伤。余华携《文城》归来不是重回巅峰而是创作能力径直下滑的再次证明。
The publication of Yu Hua's latest novel Wencheng has created a sales wonder and drew the attention of the critics,However,the popularity of sales and the flattering evaluation of some critics cannot cover up the fact that Yu Hua's narrative limits and her writing ability have declined.The unplanned,unarranged and unrestrained story in Wencheng exposes the author's weak textual organization and the lack of description of the inner world of the characters that makes him become a symbol of good and evil with incomplete character and no vitality.What's more,the absence of narration of Chinese modern and contemporary history and the lack of observation of current social reality are the unavoidable damage to the value when asking the core of text.Yu Hua's return with Wencheng is not a return to the peak,but another proof of a direct decline in his creative ability.
作者
郭雨欣
GUO Yuxin(School of Literature and Journalism,Baoji University of Arts and Sciences,Baoji 721013,Shanxi,China)
出处
《河南理工大学学报（社会科学版）》
2023年第3期32-36,共5页
Journal of Henan Polytechnic University:Social Sciences
关键词
余华
文城
叙事
人物
历史
Yu Hua
Wencheng
narration
character
history
