摘要
以庄子“畸人”的“德形”关系为依据,可确立“丑书”与巧、妍相对立的定义,并推导出“丑书”的理论依据和思想渊源,进而理解“丑书”的审美特征和艺术表现。由此观照当代“丑书”,可知当代“丑书”在形式美学上取得了突破的同时,却失于对“德全”精神内涵的追求。
Based on Zhuangzi's"abnormal person"relationship of"the form of virtue",the definition of"ugly calligraphy"as opposed to Qiao and Yan could be established,and the theoretical basis and ideological origin of"ugly calligraphy"could be deduced,thereby the aesthetic characteristics and artistic expression of"ugly calligraphy"would be understood.By looking at contemporary"ugly calligraphy",while contemporary"ugly calligraphy"has made a breakthrough in formal aesthetics,the contemporary"ugly calligraphy"has lost the pursuit of the spiritual connotation of the"complete virtue".
作者
罗嘉文
LUO Jiawen(Teacher Development Center,Jiaying University,Meizhou,Guangdong 514015,China)
出处
《肇庆学院学报》
2023年第3期59-63,共5页
Journal of Zhaoqing University
关键词
庄子
畸人
丑书
Zhuangzi
abnormal person
ugly calligraphy
