摘要
2022年2月底,千年瓷都景德镇为我们送来一场隆重的陶瓷盛宴——“瓷的精神”2021景德镇国际陶瓷艺术双年展。在展览中,共选取了来自全球各地的206件陶瓷艺术作品。这些入展作品在秉承传统的基础上,勇于探索与创新,呈现出了无与伦比的多元化景象,是陶瓷工艺技术在当代美学思想下的新转化,反映了传统陶瓷艺术与时代审美的融合,体现了百花齐放的包容精神与百舸争流的奋进精神。本文以陶瓷的材料“泥”为切入点,从原始泥料的直接运用、绞胎工艺的创新延用、新型材料的综合运用三个角度出发,得出当下陶瓷装饰的鲜明特点和动态趋势——“合”而不同的结论。
At the end of February 2022,Jingdezhen,the Millennium porcelain capital,gave us a grand ceramic feast named"Spirit of Porcelain-2021 Jingdezhen International Ceramic Art Biennale".In the exhibition,206 ceramic works from all over the country were selected.On the basis of inheriting the tradition,these exhibited works have the courage to explore and innovate,showing an unparalleled diversified scene.It is a new transformation of ceramic technology under the contemporary aesthetic thought,which reflects the integration of traditional ceramic art with the aesthetics of the times,and embodies the spirit of tolerance of letting a hundred flowers blossom and the spirit of striving for progress.Taking the ceramic material of mud as starting point,this paper comes to a conclusion of oneness without sameness about the distinctive characteristic and dynamic trend of ceramic decoration at present,and argues from three perspectives,namely the use of original mud,the innovative extension of the twisted body technology and the comprehensive use of new materials.
出处
《中国陶瓷工业》
CAS
2023年第2期36-39,共4页
China Ceramic Industry
关键词
双年展
当代陶瓷装饰
泥
biennale
contemporary ceramic decorative
mud
