摘要
陈麟瑞自20世纪20年代起在清华校园就读期间,即与师友一起从事新文学创作,其中戏剧方面的成就最引人瞩目。20世纪40年代陈麟瑞以“石华父”之笔名,在抗战时期上海剧坛奉献出《职业妇女》《抛锚》等精彩剧作。从1940年《职业妇女》剧本中对“笑”的追求,到1944年《抛锚》中转而强调“泪”的情感宣泄,陈麟瑞的创作历程显示他在处理抗战时期的上海这一特殊文化空间时,对文学创作与现实生活关系的思考,以及戏剧创作诉诸群体效应、调动受众情感模式的探索。对陈麟瑞及其戏剧的研究,有助于深入理解20世纪40年代的上海职业话剧。
Chen Linrui has been engaged in the creation of new literature with his teachers and friends since the 1920s when he studied at Tsinghua University,and the most remarkable achievements were his drama creation.In the 1940s,under the pseudonym of“Shi Huafu”,he created a number of wonderful plays such as Career Women and Sea Burial in Shanghai during the War of Resistance Against Japanese Aggression.The change from the pursuit of“laughter”in Career Women in 1940 to the emphasis on“tears”as emotional release in Sea Burial in 1944 shows his reflection towards the relationship between literary creation and contemporary circumstance in the special cultural space of wartime Shanghai,and his exploration of the drama creation which resorts to group effect to arouse the audience's emotional response in this special literary space of wartime Shanghai.The study of Chen Linrui and his plays contributes to a further understanding of the activities of modern professional theatres in Shanghai in the 1940s.
出处
《戏剧艺术》
北大核心
2023年第2期27-39,共13页
Theatre Arts
关键词
石华父
陈麟瑞
林率
职业妇女
抛锚
Shi Huafu
Chen Linrui
Lin Shuai
Career Women
Sea Burial
