摘要
中国工艺美术馆·中国非物质文化遗产馆坐落于北京中轴线北延线的奥林匹克公园中心区的新博物馆区,其特殊的城市区位为该项目设计赋予了一个清晰而具挑战的出发点,即如何通过形式操作让建筑积极参与该地块的连接系统的构建。文章首先梳理了gmp·冯·格康,玛格及合伙人建筑师事务所的理性主义设计策略。并着重剖析了该项目设计如何将与城市的连接性问题以一种克制的秩序理性整合到建筑功能、流线、结构和围护体系的建构,并由此激发出中轴线北延线的城市公共空间活力,创造出中轴线北延线特有的城市文脉。
TheChina National Arts and Crafts Museum and the China Intangible Cultural Heritage Museum,located in the new cultural quarter at the heart of the Olympic Park,are two facilities combined in one architecture.Marking the northern extension of Beijing's central axis,the location poses a unique yet challenging question to the design:How to effectively merge into the urban linkage by means of architectural form.This article reviews what the rationalist design thinking of von Gerkan,Marg and Partners(gmp)is about and howthearchitectstakeurban linkage into the architectural configuration-function,circulation,structure,and enclosurein a rationalist manner.Such a design has enriched the urban cultural context of the northern extension of Beijing's central axis and sparked the vibrancy of this urban public space.
作者
曹凯中
薛璇
杨怡楠
CAO Kaizhong;XUE Xuan;YANG Yinan
出处
《时代建筑》
2023年第1期128-135,共8页
Time + Architecture
