摘要
“诡”出现较早且具有丰富的意涵。在《文心雕龙》中,“诡”出现多次,被刘勰系统地用作一种文学风格学概念。在深入理解“诡”义的基础上,刘勰将“诡”引入文学批评。“诡”的文学风格学意义,正是根于其本身的“反”“违”“异”及“变”等义而产生的。在《文心雕龙》的批评体系中,“诡”作为一种含贬意的文学风格学概念,其风格特征表现在作品的述情表意、遣词造句、选字配义及协声调律等方面,可谓刘勰对南朝文弊的集中批评与规箴,同时也从反面显现出刘勰对理想文学风格的塑造与追求。
The term"Gui"appeared early and has rich connotations.It appeared several times in The Literary Mind and the Carving of Dragons and was systematically used as a literary style concept by Liu Xie.Based on an in-depth understanding of the meaning of"Gui",Liu Xie introduced it into literary criticism.The literary significance of"Gui"is rooted in its meanings of"opposition","violation","difference"and"change".In the critical system of The Literary Mind and the Carving of Dragons,"Gui"serves as a derogatory concept of literary style,and its stylistic characteristics are shown in the expression of emotions,word choices,semantics and prosody in works.This can be regarded as Liu Xie's concentrated criticism and admonition of the literary malpractices in the Southern Dynasties,while also demonstrating Liu Xie's shaping and pursuit of ideal literary styles from a negative perspective.
作者
常思礼
CHANG Sili(Dept.of Chinese Language and Literature,Sun Yat-sen University,Guangzhou 510275,China;Chinese Classics Research Institute,Fudan University,Shanghai 200433,China)
出处
《中北大学学报（社会科学版）》
2023年第3期24-31,共8页
Journal of North University of China：Social Science Edition
关键词
文学风格学
《文心雕龙》
“诡”
literary stylistics
The Literary Mind and the Caroing of Dragons
"Gui"
