摘要
安东尼奥·希门尼斯·托雷西亚斯所提出的“集体参考”与“个体参考”,前者是对建筑工具性的、本质的普遍认知,表现为不经意将本能发挥到极致的乡土建筑;而后者则更多加入了设计者个人情怀,在不同的建筑设计中对前者起着强化、弱化、异化或叠加等影响。以“集体参考”作为媒介,可以让“自我”更好地理解“他者”的体验。文章从这一角度解读筱原一男的作品,在前期作品中筱原一男敏锐地抓住“宅”的“集体参考”,并将自己的“个体参考”赋予其上,而之后的样式中将城市思考实体化的思想占了上风,“集体参考”印象被极大弱化。
The"collective references"and"individual references"put forward by Antonio Jimenez Torresias:the former is a universal perception of the instrumental and essential nature of architecture,which is manifested in the vernacular architecture where instincts are inadvertently brought to the extreme,while the latter adds more personal sentiments to the designer's design,which can strengthen,weaken,alienate or superimpose on the former in different architectural designs.By using"collective reference"as a medium,the"self"can better understand the experience of the"other".In the previous works,Kazuo Shinohara sensitively captures the"collective reference"of the"otaku"and assigns his own"individual reference"to it.While in the subsequent styles,the idea of materializing the thinking about the city prevails,and the impression of"collective reference"is greatly weakened.
出处
《建筑与文化》
2023年第5期204-206,共3页
Architecture & Culture
关键词
集体参考
个体参考
风土建筑
筱原一男
collective references
individual references
vernacular architecture
Kazuo Shinohara
