摘要
就俄罗斯作曲家穆索尔斯基所处的时代而言,他的和声语言是新颖的,有些技法甚至是超前的,其中,以调式调性方面的运用特点最为显著。文章阐述穆索尔斯基的创作中,在固守调性因素的前提下,所使用的一些新的调性写作方式为研究对象,重点对作曲家在泛自然音主义、持续音性调性、双调性等三种写作技法的实践探索,以及这些技法在运用过程中表现出来的调式风格化特征进行了较为细致且深入地分析和研究。这对于合理地解读和传播作曲家及其作品具有重要的辅助作用,并对我国当代民族调式风格的音乐创作有一定的借鉴价值。
The harmony language of the Russian composer Mussorgsky can be seen as innovative in the context of his period,even some of his technique was ahead,what prominent in the application of the skill on modes and tonality.Based on the research of Mussorgsky's use of novel tonality technique which he maintained in the tonal tonality,and which especially focus on the practice of pannaturalism,pedal-point tonality,bitonality and the other three techniques,the article analysis the stylization of the tonal characteristics emerged which upon his new technique in his works.
出处
《北方音乐》
2023年第2期31-39,共9页
Journal of the Northern Music
