摘要
昆曲的字、腔关系一直是昆曲音乐研究中重点讨论的内容,“依字行腔”常被当作昆曲腔调组织的根本规律,而昆腔曲牌在整体层面的腔调特性往往被忽视。微观层面的曲腔分析不能代替对曲腔关系的整体把握,昆腔曲牌的腔调特性需要进行全盘审视。曲牌是否具有相对稳定的腔调框格与其文词格式、板位是否“固定”有直接关系。一支曲牌的音乐特性主要体现在由各腔句建构的整体旋律框架上。套曲中的通用性腔调材料常是单支曲牌音乐的某些“内部结构性因素”。
The relationship between the words and tune has long been discussed in Kunqu studies.“Yi Zi Xing Qiang(singing tune according to the tones of Chinese characters)”is considered to be the fundamental rule of Kunqu tune organization,while the characteristics of tunes of Kunqu Qupai in a holistic view have always been neglected.Micro-analysis of the tune could not replace a comprehensive grasp of the text-tune relationship.It is critical to scrutinize the characteristics of tunes of Kunqu Qupai in an integrated manner.Stable textual formats and the position of strong beats in the lyrics of a Qupai are the direct determining factors of its stable tune framework.The musical characteristics of Qupai are mainly reflected on the overall melodic framework composed of different phrases.The universal music materials in a set of Qupai could always be the intrinsic structural factors of a single Qupai.
出处
《乐府新声（沈阳音乐学院学报）》
2023年第1期5-13,共9页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
国家社科基金艺术学重点项目“昆曲谱曲法研究”的阶段性成果(项目批准号:21AB002)。
