摘要
土耳其共和国在经历了半个世纪的全盘西化和“去奥斯曼化”之后,在20世纪后期兴起“新奥斯曼主义”思潮,希望重新找回昔日奥斯曼帝国的荣光。帕慕克的小说《我的名字叫红》可谓作者的身份认同宣言,紧扣“新奥斯曼主义”思潮在土耳其的兴盛。小说对“红色”追根溯源,讲述了大量有关绘画即“记忆”的故事,巧妙呈现出“红”与“黑”的辩证统一关系,意图唤起土耳其人对那璀璨壮丽的“红”的记忆、对曾经的“世界中心”奥斯曼帝国荣光的记忆。因此,尽管小说只有一章名“我的名字叫红”,但实际上“红”是贯穿整部小说的主题象征意象,表达了作家对土耳其民族渊源与荣光的追寻。
After half a century of total westernization and De-Ottomanization,Neo-Ottomanism emerged in late 20th century Turkey,with the hope of regaining the glory of the former Ottoman Empire.Orhan Pamuk's My Name Is Red is a manifesto for the author's identity,consequent upon the rise of Neo-Ottomanism in Turkey.The novel traces the origin of"red,"and tells a lot of stories about miniature illustration,which is"memory."Thus,it subtly presents the dialectical unity relationship between"red"and"black,"and intends to arouse the Turks'memory of the brilliant and magnificent"red"and the memory of the glory of the Ottoman Empire,the once"center of the world."Therefore,although only one chapter of the novel is entitled"My Name Is Red,""red"is,in fact,a thematic symbolic visual motif throughout the whole novel,expressing the writer's quest for the origin and glory of the Turkish nation.
作者
穆宏燕
Mu Hongyan(School of Asian Studies,Beijing Foreign Studies University,Beijing,China.)
出处
《外国文学》
北大核心
2023年第2期3-14,共12页
Foreign Literature
基金
国家社会科学基金重大招标项目“新世纪东方区域文学年谱整理与研究(2000-2020)”(17ZDA280)。
