摘要
《著作权法》第三次修订之前,以非交互式方式传播网络音乐的行为处于权利保护的真空地带,主要原因在于相关产权设计模糊以及权利运行保障功能缺位。《著作权法》第三次修订中,拓展广播权定义、新增“传播录音制品获酬权”条款、整合播放录音制品的法定许可,这三项内容的修改一定程度上改善了网络音乐非交互式传播著作权保护状况,但在实际适用中仍存在困境,有待优化。建议通过厘清广播权的适用情形与范围、设定合理报酬标准并完善集体管理制度以及利用诸如区块链这一新兴数字技术助力著作权集体管理活动等措施进一步解决现存问题,以完善网络音乐非交互式传播的著作权保护。
Before the third amendment of the Copyright Law,the non-interactive dissemination of network music was in a rights vacuum,mainly due to the vague design of relevant property rights and the lack of rights operation guarantee functions.In the third amendment of the Copyright Law,the expansion of the definition of broadcasting rights,the addition of the clause of the right to remuneration for the dissemination of phonograms,and the integration of statutory licenses for the broadcast of phonograms have improved the current situation of copyright protection for the non-interactive dissemination of network music to a certain extent,but there are still difficulties to be optimized in practical application.It is proposed to further solve existing problems by clarifying the applicability and scope of broadcasting rights,setting reasonable remuneration standards and improving collective management systems,and using emerging digital technologies such as blockchain to assist collective copyright management activities,so as to improve the copyright protection for the non-interactive dissemination of network music.
作者
王渊
岳晓榕
WANG Yuan;YUE Xiaorong(Law School,Lanzhou University,Lanzhou 730000,China)
出处
《合肥工业大学学报（社会科学版）》
2023年第2期22-28,共7页
Journal of Hefei University of Technology(Social Sciences)
基金
国家社会科学基金资助项目(20XFX015)。
关键词
网络音乐
非交互式传播
广播权
获酬权
著作权集体管理
network music
non-interactive dissemination
broadcasting right
right to remuneration
collective management of copyright
