摘要
新时期民族诗歌创作成绩斐然。20世纪80年代中期以后,民族诗歌创作发生了巨大的审美转型,逐渐从以往单一的政治审美,转向多元的民族文化审美;20世纪90年代以后,作品中呈现出民族文学的多样性和丰富性,但由于过度强调本民族文化的特殊性,导致诗歌创作出现某种程度的狭窄化、同质化倾向,未能充分体现中华民族审美的共同性。在新时代,民族诗歌应更多地注重中华民族审美共同性的抒写,为铸牢中华民族共同体意识,构建多元一体的中华民族文学格局作出自己独特的贡献。
In the new era,ethnic poetry has obtained remarkable achievements.After the mid-1980s,ethnic poetry creation has undergone a huge aesthetic transformation,gradually shifting from the previous single political aesthetics to a diversified ethnic cultural aesthetics.After the 1990s,the ethnic literary works have presented the diversity and richness.However,due to the excessive emphasis on the uniqueness of the ethnic culture,the poetry creation has shown a certain degree of narrowness and homogenization,failing to fully reflect the commonality of the aesthetics of the Chinese nation.In the new era,ethnic poetry should pay more attention to the expression of the commonality of the aesthetics of the Chinese nation,making its unique contribution to consolidating the sense of community for the Chinese nation,and constructing a diversified and integrated pattern of Chinese ethnic literature.
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2023年第3期75-81,184,共8页
Journal of South-Central Minzu University (Humanities and Social Sciences)
基金
国家社会科学基金重大项目“新中国少数民族文学政策文献的整理、研究与信息平台建设”(19ZDA280)。
关键词
铸牢中华民族共同体意识
新时期
民族诗歌
审美转型
consolidating a strong sense of community for the Chinese nation
new era
ethnic poetry
aesthetic transformation
