摘要
《西夏旅馆》作为骆以军创作生涯中最重要的作品之一,使用了华丽的语言、繁复的意象和现代、后现代的写作手法,具有强烈的先锋性质。而作品通过历史上西夏人的流亡经验隐喻外省人的异乡漂泊经历,充满了寓言性。梦境的超现实特质使得它成为连接过去与现在、此地与彼地、现实与虚构的重要方式。通过对梦境的描绘,特别是对兼具梦境形式与内容的“西夏旅馆”的创造,骆以军对台湾地区外省人的流亡命运进行了跨时空勾勒,对外省群体的民族、政治等身份困境进行了探寻,并试图寻找外省后代在台湾地区的自我定位和未来道路。
In Luo Yijun,s creative career,Tangut Inn is one of the most important of his works as it is strongly avant-garde in its use of a resplendent language,intricate imagery,modem and postmodern methods of writing.The work is allegorical in that it uses the exile journey of the Western Xia people in history as a metaphor for the drifting mainlanders in Taiwan.The surreality of the dream makes it an important narrative way of connecting the past with the present,the place here with the place there,and the reality with the fictionalization.By depicting the dreams,particularly the creation of a Tangut Inn that is a dream in form and contents,Luo Yijun outlines the fate of the mainlanders in Taiwan as exiles across space and time,exploring the national and political identity circumstances of the mainlanders as a group,and trying to find the self-positioning and future road for their offspring in Taiwan.
出处
《华文文学》
2023年第1期43-49,共7页
Literatures in Chinese
