摘要
卞之琳的智性诗体现了诗人的审美趣味从浪漫主义到象征主义的演变;诗人强调其诗歌表现的是真情实感而非智慧,他将智性理解为让世界万物显现的魔力,这一理解源于艾略特将智性作为诗歌表现情思的过程中所体现的睿智这一思想;民国批评界对智性的理解有三种,分别是作为诗歌内容的智慧、作为认识世界的方式的理性和诗歌艺术表现中所体现的机智。20世纪90年代以来,一些批评者将卞之琳的智性诗中的智性作为诗歌的表现内容而非诗歌表现的艺术,这是对西方诗学中智性这一概念的误读。
Bian Zhilin’s intellectual poetry reflects the evolution of his aesthetic inclination from romanticism to symbolism.He emphasizes that his poetry convey true feelings rather than intelligence,and he takes intelligence as the magic power to let all things in the world appear.This interpretation of intelligence comes from Eliot who takes intelligence as wisdom to convey feelings and thoughts in poetry.There were three kinds of interpretation of intelligence in the circle of critics of the Republic of China,namely,wisdom as the poetry content,reason as the way of understanding the world,and the wit reflected in the artistic expression of poetry.Since the 1990s,some critics have regarded the intelligence in Bian Zhilin’s intellectual poetry as the content of poetry rather than the art of poetry expression,which is a misreading of the concept of the intelligence in western poetics.
出处
《湖南师范大学社会科学学报》
北大核心
2023年第1期139-148,共10页
Journal of Social Science of Hunan Normal University
基金
国家社会科学基金一般项目“民国时期美国文论在中国的传播研究”(17BWW017)。
关键词
卞之琳
智性诗
艾略特
Bian Zhilin
intellectual poetry
Eliot
