摘要
李西安和赵冬梅的新著《〈八板〉及其变体研究谱例集》和《汉族语言与汉族旋律研究》都写有献给姚锦新先生的字样,可谓薪火相传。对《八板》及其变体研究带有某些音乐“寻根”的性质,打破了“音乐学系”与“作曲技术理论”研究的界限,体现着音乐综合研究的精神。《汉族语言与汉族旋律研究》改变了作曲技术理论只有“四大件”而不讲旋律的历史,意义重大。书内“京剧韵白——一种未被关注的旋律”一章填补了过去旋律研究中,未能将京剧韵白等含微分音和无法用调式音阶记谱展示的旋律研究空白。中国音乐研究应坚持多样化发展和面向未来。
Li Xi’an and Zhao Dongmei’s new books,“A Collection of Scores for the Study of Ba Ban and its Variations”and“A Study of Han Chinese Language and Melody”,are both dedicated to Mr.Yao Jinxin.The former breaks the boundaries between Musicology and composition theory aiming to dig out the“roots”,which embodies a comprehensive study of music.The latter covers the history of melody which is ignored by the“four main perspectives”in composition theory particularly it pays attention to yun bai in Beijing opera which contains microtones and cannot be presented in tonal scale notation.Chinese music research should be diversified and future-oriented.
出处
《音乐文化研究》
2022年第4期132-137,M0005,共7页
Music Culture Studies
