摘要
在当代的陶瓷绘画当中,陶瓷没骨花鸟画虽然不是最为热门的陶瓷装饰技法,但是其是比较具有特色的一个陶瓷装饰题材。没骨花鸟画的代表是传统的国画没骨画,而能够推动当代的陶瓷没骨花鸟画就需要顺应时代的发展和艺术的变革。在与时俱进的同时,要抓住对传统绘画的继承和创新。需要满足当代观者的审美需求和精神需求,就要将传统的陶瓷没骨花鸟画推向符合时代特征的方向,从而更好的传承和发展陶瓷没骨花鸟画。本文通过对没骨法和陶瓷没骨花鸟画的研究,探究陶瓷没骨花鸟画的演变和发展,针对当代的陶瓷没骨花鸟画的创作提供参考。
Among contemporary ceramic paintings,ceramic Mogu flower and bird painting is not the most popular ceramic decoration technique,but it is a characteristic ceramic decoration theme.Mogu flower and bird painting is the representative of traditional Chinese painting Mogu painting,and to promote contemporary ceramic Mogu flower and bird painting needs to conform to the development of the times and artistic changes.While keeping pace with the times,we should grasp the inheritance and innovation of traditional painting.To meet the aesthetic and spiritual needs of contemporary viewers,it is necessary to push the traditional ceramic boneless flower and bird painting to the direction consistent with the characteristics of the times,so as to better inherit and develop ceramic boneless flower and bird painting.Through the research on the Mogu method and ceramic no bone flower and bird painting,this paper explores the evolution and development of ceramic Mogu flower and bird painting,and provides reference for the creation of contemporary ceramic Mogu flower and bird painting.
作者
吴燕
Wu Yan(Wu Yan Studio,Jingdezhen City,333000)
出处
《陶瓷研究》
2022年第5期144-146,共3页
Ceramic Studies
关键词
陶瓷
没骨
花鸟画
创作
Ceramics
Mogu
Flower and bird painting
A literary creation
