摘要
李金发诗歌中最重要的关键词是“死亡”,即他用诗歌来叙“死亡”之事,或说是“死亡”之理。他诗歌中所叙的这个“死亡”观念,并非是赓续了中国传统文化中那个“死亡”观念,而是跳出了中国文化传统,直接跃入西方现代文化,尤其是德国哲学家叔本华所倡导的死亡哲学,即“悲观的人生观”的价值理念中去。从这个意义上说,李金发不但是中国新诗史上最早领悟到西方现代主义思想和诗歌精髓的诗人,还是最早让中国新诗与西方现代哲学展开对话,甚至让其以思想资源的形式直接参与新诗的创作中。他的这一不够娴熟、意义却深远的跨学科、跨文本的融会贯通,在改变中国诗歌审美结构的同时,也引入了西方现代主义诗歌中注重哲理与冥思的传统。
The key word in Li Jinfa’s poems is“death”,that is,he uses his poems to narrate the event of“death”,or the reason of“death”.However,the philosophical concept of“death”in his poems is not a continuation of the concept of“death”in traditional Chinese culture,but a transcendence from the tradition into modern Western culture,especially the concept of death advocated by German philosopher Schopenhauer—his“pessimistic outlook on life”.In this sense,Li Jinfa,who studied in France,was not only the first poet in the history of Chinese New Poetry to understand the essence of Western modernism,but also the first poet who let the Chinese New Poetry have a dialogue with the Western modern philosophy,and directly participate in the creation of Chinese New Poetry in the form of ideological resources.His less skillful and far-reaching interdisciplinary and intertextual integration has not only changed the lyric dominated aesthetic pedigree of Chinese poetry,but also brought in the tradition of philosophy and meditation of Western modernist poetry,thus contributing to the integration of Chinese poetry into the world poetry.
出处
《中国比较文学》
CSSCI
北大核心
2022年第4期89-105,165,共18页
Comparative Literature in China
基金
国家社科基金重大项目“中国诗歌叙事传统研究”(项目编号:15ZDB067)的阶段性成果。
