摘要
电影《卧虎藏龙》以整体性视野叙述了自由的自我实现,构建了一个多重、开放的话语空间,使中西观众产生了与其艺术思想的共鸣,这为讲述中国故事作出了积极示范,亦为话语中国的自我塑造提供了积极探索。基于语言的自我生成,中国话语理应深深植根于中华民族的语言、中国的传统和现实。当中国话语具备一种规范力量并形成一种明确的秩序时,中国话语之叙述逻辑的自洽性得以形成,话语中国的自我塑造亦水到渠成。
With a holistic vision,the movie Crouching Tiger,Hidden Dragon narrates the self-realization of freedom,and constructs a multi-layered,open discourse space.Chinese audience and Western audience have paid much phenomenological concerns,for they has resonated with its artistic ideas.Meanwhile,it sets a positive example for telling stories of China and makes an active exploration on the self-building of Discourse about China.Based on the the self-generation nature of language,China Discourse has to be deeply rooted in the language,tradition and reality of Chinese nation.When China Discourse develops a kind of normative power and a definite order,the self-consistency of narrative logic of China Discourse will also arise.Accordingly,Discourse about China can naturally succeed.
作者
邹芳莲
王宝山
寇贺真
ZOU Fanglian;WANG Baoshan;KOU Hezhen(School of Marxism,Jiangxi Science&Technology Normal University,Nanchang 330038,Jiangxi)
出处
《丽水学院学报》
2023年第1期51-58,共8页
Journal of Lishui University
基金
江西科技师范大学教改课题“电影叙事在‘马克思主义基本原理概论’教学中的运用研究”(JGYB-17-78-72)。
关键词
电影《卧虎藏龙》
自由
语言
话语中国
the movie Crouching Tiger
Hidden Dragon
freedom
language
Discourse about China
