摘要
本文重点讨论了佛教传入藏地早期,昌珠寺和桑耶寺等重要佛教寺院的主尊塑像在塑造过程中所采取的一种特殊的工艺手法,即将石雕与泥塑相结合进行造型,此工艺手法属于石胎泥像或石雕彩绘泥衣造像。目前这种手法虽失传已久,但早年曾活跃于西藏周边的诸多佛教传播地区,有趣的是在藏地以这种工艺完成的佛造像往往伴随着自然天成的神秘化记述。
This paper focuses on the early introduction of Buddhism into Tibet,The Tridrub Temple and Sangye Monastery and other important Buddhist temples in the process of shaping the main statue of a special technology,that is the combination of stone sculpture and clay sculpture modeling,this technology belongs to stone sculpture clay or stone painted mud sculpture.Although this technique has been lost for a long time,it was active in many areas around Tibet where Tibetan Buddhism spread in the early years.It is interesting is that the Buddha statues made by this technique in Tibet are often accompanied by the mysterious description of nature.
出处
《西藏艺术研究》
2022年第4期63-68,84,共7页
Tibetan Art Studies
基金
国家社会科学基金冷门绝学研究专项学者个人项目:《西藏彩塑艺术遗存调研与保护对策研究》阶段性成果。项目编号:22VJXG011。
关键词
吐蕃
石胎泥像
尼泊尔工匠
石窟寺
Tubo
Mud image of Stone tire
Artisans of Nepalese
The Temple of Cave
