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鉴画衡文 诗图同道--绘画艺术与鲁迅小说语言画面感 被引量:2

Combination of painting and text,poem and picture reflecting each other:Drawing art and imaginativeness in Lu Xun’s novel language
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摘要 鲁迅作为中国现代文学史中的杰出小说家,小说语言所形成的画面感为其作品的重要标识之一,画面感是鲁迅将绘画艺术与小说语言有机融合的产物,是“文学家鲁迅”与“美术家鲁迅”的契合点,也是鲁迅研究的新视域。鲁迅创造性地将文学思维与美术思维相结合,将白描、木刻、水墨写意和漫画等绘画艺术的理念和技巧运用到小说创作中,使其小说语言呈现出不同艺术风格的画面感。其中,白描手法勾勒出精确传神的画面是现实主义的显现,木刻刀味形成的深邃严峻画面是现代主义的“力之美”,水墨笔调造就的诗化写意画面蕴涵了中国古典主义美学韵味,漫画笔触练就的夸张象征画面是后现代主义戏谑性地展现。小说语言的画面感是鲁迅留给中国现当代文学的一宝贵财富,它“文中有画”的特点已逐渐被人们所感受认知,探析鲁迅小说将语言和绘画两种媒介进行有机融合的创作机制,能够重新认知鲁迅小说家和艺术家的双重身份价值,思考古代诗画理论的现代性转化,探索现代文学语境下“鉴画衡文”而开辟的“诗画同道”的新路径。 Lu Xun is an outstanding novelist in the history of modern Chinese literature,the sense of picture formed by the novel language is one of the important marks of his works.The sense of picture is the product of the organic integration of Lu Xun’s painting art and novel language,it is also the meeting point of Lu Xun as a“writer”and an“artist”,and also the new perspective of the research of Lu Xun.Lu Xun creatively combined literary thinking with artistic thinking,applying the creative concepts and techniques of line drawing,woodcut,ink painting and cartooning to his novels,so that the language of his novels presented a sense of picture with different artistic styles.Among them,the precise and vivid pictures drawn in line drawing are the manifestation of realism,the profound and grim pictures formed by the taste of woodcuts are the“beauty of force”of modernism,the poetic freehand pictures created by the tone of ink painting styles contain the aesthetic charm of Chinese classicism,and the exaggerated symbolic pictures practiced in comic drawing styles are tongue in cheek and expressiveness of postmodernism.The sense of picture brought by novel language is a precious wealth left by Lu Xun to Chinese modern and contemporary literature.Its characteristic of“painting in the text”has been gradually felt and recognized by people.Exploring the creative mechanism of the organic integration of language and painting in Lu Xun’s novels can re-recognize the dual identity value of Lu Xun’s novelists and artists,thinking about the modern transformation of ancient poetry and painting theory,and explore the new path of“poem and picture reflecting each other”opened up by the“combination of painting and text”in the modern literary context.
作者 刘东方 LIU Dongfang(School of Literature and Journalism,Qingdao University,Qingdao 266000,P.R.China)
出处 《重庆大学学报(社会科学版)》 CSSCI 北大核心 2022年第6期180-190,共11页 Journal of Chongqing University(Social Science Edition)
基金 国家社会科学基金项目“中国现代文学语言本体论思想研究”(16BZW139)。
关键词 鲁迅 画面感 小说语言 绘画艺术 鉴画衡文 Lu Xun the sense of picture novel language painting art combination of painting and text
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