摘要
中原“福”文化内涵丰富,是当下文创设计创意的重要灵感来源。不同时期中原“福”文化有不同所指。中国传统文化、造物理念、地域文化的融入,从河图洛书到青铜纹饰,从秦汉以来汉画像砖上的瑞兽到唐宋牡丹纹样,中原地区出土的大量实物图形符号都体现出强烈的祈福求吉思想。一部中华造物史就是一部“福”文化发展的历史,也映射了不同时期人们祈福的心路历程。“符瑞”是中原“福”文化诉求的核心所指,根源性、连续性是中原“福”文化的特点,其图形表现与展示方法也为当下文创产品设计提供了优秀范例。用符号学的方法重新审视“福”文化,寻找当下幸福所指,“福”文化将继续成为联系全球华人的共同精神信仰与纽带。
The cultural connotation of“Fu”in the Central Plains is rich and is an important source of inspiration for the current cultural and creative design creativity.The“Fu”culture in the Central Plains in different periods has different meanings.From the River Map and Luo Chart,to the bronze decoration,from the auspicious animals in the Han paintings since the pre-Qin Dynasty to the peony patterns in the Tang and Song Dynasties,a large number of physical graphic symbols unearthed in the Central Plains reflect a strong idea of praying for good luck.With the integration of Chinese traditional culture,creation concept and regional culture,a history of Chinese creation is a history of the development of“blessing”culture.It also reflects the psychological journey of people praying for blessings in different periods.“Fu Rui”is the core of the“Fu”culture in the Central Plains.The root and continuity are the characteristics of the“Fu”culture in the Central Plains.Its graphic expression and display methods also provide an excellent example for the design of cultural and creative products.We should re-examine the“Fu”culture with the semiotic method to find the current meaning of happiness,so that the“Fu”culture can continue to connect with the common spiritual beliefs and ties of Chinese people around the world.
作者
梁雅明
LIANG Yaming(Department of Art and Design,Henan University of Science and Technology,Luoyang 471023,China)
出处
《河南科技大学学报（社会科学版）》
2023年第1期105-110,共6页
Journal of Henan University of Science & Technology(Social science)
基金
2022年度河南省高校人文社科项目(2022-ZZJH-469)。
关键词
中原“福”文化
文创设计
造物文化
“blessing”culture in Central Plains
cultural and creative product design
creative culture
